(Yeah, it’s pretty good.)
With album releases seeming somewhat far and few between as we enter the new year, I find myself gravitating towards the only album released this year to the point of writing, a little ol’ thing called POST- by Jeff Rosenstock. With no prior knowledge of the man, I was surprised to find a body of work dating back as far as 1998 and involvement in a frankly stunning amount of albums, projects and acts. Rosenstock’s agenda seems fairly clear and there seems a consistent and personal aspect to his continued mindset which implies that the criticisms I have with this latest release are largely due to his personal design. I feel there’s something to be said for one who coins the names “The Arrogant Sons of Bitches” and “Bomb the Music Industry!” and I’d be lying if I said I didn’t very much appreciate his mentality and approach to music. He seems like a somewhat brazen character and this extends towards this latest musical vehicle, and I think that’s why I like it.
I feel the album suffers from many of the same issues as a great many other albums which follow the musical design of one particular person and the most outstanding of these issues seems to be a somewhat disorienting flow and conflict of ideas. I’d like to say the issues feel redeemed by the creativity on display but this feels somewhat untrue. I will say that it’s a good bit of fun if you’re into that whole Punk thing, but it does sound like a bit of a fucking mess at times. I hugely appreciate the creativity on show throughout the album as a whole and I feel the variety of styles and influences speaks to a remarkable level of creative promise, but there are often times this feels poorly optimised and structural mismanagement often reflects in a manner that makes little to no sense.
At this point I feel like I’m the only person in the world who actually gives a fuck about fantastic production quality and albums like this seem to ram this feeling deep up my ass with total disregard for my complaints. What I mean to declare with this total lack of eloquence is that this album sounds like shit in terms of the production quality, but I feel this was the personal design of Rosenstock himself and it contributes to a sound highly reminiscent of a DIY Punk/Grunge-esque tone. Still, despite this being his clear intention, I feel it to be fairly unnecessary and I feel a better energy could have been captured with more emphasis on the vocals and the leading instrumentation. I was pretty surprised to hear the addition of synth in places, but I didn’t feel they were really out of place in the album and they seem to fit quite nicely in the mix. The addition of synth also did much to offer originality and creativity to the album and served to draw my focus to the mind of Rosenstock, further securing my personal admiration in the man and his vision.
The album is a curious amalgamation of a variety of styles and influences and, where many fail to capture the essence of them all, I feel that Rosenstock respects this and addresses this concern with an album that considers the spirit of Punk, Pop Punk and Indie Rock and displays them all in a wonderful light. When you consider the album from a certain perspective and consider the expansive past of Rosenstock, you can really hear the vast experience the man has – though this does little to restrain the adolescent sense of rebellion and identity most prominent in some of the opening tracks.
I’d happily go on record and say it’s a very enjoyable album with a good, solid track listing, but the production feels so awful it becomes really hard to recommend. I guess if you don’t give a shit about how good the overall sound is and just care about an upbeat energy then you should check it out. I was very divisive on the album to begin with but by the time I reached TV Stars I began to appreciate the feel of the album a lot more. I don’t usually care much for lyrics, but I felt I actually cared about the words of Rosenstock in this album. I think it’s a fun album and if you have an interest in Punk Rock you should give it a whirl. Don’t expect particularly good production quality or displays of instrumental technicality, that’s not what this album is about – but the energy itself is pretty fantastic and it does well to capture the essence of Punk in a very unique and creative way.